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双语推荐：黎锦

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音乐图像学作为一名独立而又交叉的学科,现如今正被一些音乐史学家们重视。它是以美术作品为线索进行音乐史研究,是对美术作品中的音乐题材内容进行分析与解释的有关音乐史。本文从黎锦晖出版的儿童歌舞作品的文字刊物图像进行分析,探索黎锦晖儿童歌舞作品的纯朴童真和符合时代气息的儿童形象,进而分析黎锦晖儿童歌舞作品艺术风格形成的成因。
Nowdays, music historians attach more attention to Musical Iconography, which is an independent but intersectant subject as well. Works of art are taken as clues of music history in the study of this subject, and the musical theme or content involved in works of art is analyzed and interpreted. This essay analyzes the image text publications in children''s dance works published by Li Jinhui in order to explore the simple innocence included in his works and those images of children which are consistent with the spirit of the times, and then analyzes the cause of formation of artistic style in Li Jinhui''s works.

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黎锦筒裙纹样是记录黎族社会历史的重要符号语言,其中蛙纹和人形纹是其核心纹样,黎锦筒裙人形纹包括蛙姿人形纹、具象人形纹和简化人形纹三种形式。人形纹是黎族早期社会祖先崇拜习俗的图腾表现形式,它所体现的内涵包括对人自身的崇拜、血缘崇拜、英雄崇拜等,从中可见早期黎族社会从图腾崇拜向父系氏族社会转化的进程。
The patterns on the tubular skirts of Li brocade constitute the important symbolic language of the so-cial history of the Li people,among which the frog and humanoid patterns are the core. The humanoid patterns on the tubular skirts of Li brocade include the frog-posture type,the concrete humanoid type and the simplified humanoid type. The humanoid pattern is the manifestation of the totem reflecting the customs of ancestor worship in the early Li society,and its connotations imply the worship for man himself,the consanguinity,and the hero and so on. The patterns reveal the transitional evolution of the Li society from the totem worship to the patriarchal society in the early period.

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黎锦作为海南黎族的传统工艺,凝聚了黎族独特的文化精髓,承载了黎族历史文化的发展,体现了黎族女性的创造力和艺术审美,是海南黎族文化的典型代表。随着时代的发展,国际开始越来越注重民族地域元素和符号的使用;而当前海南正致力于打造国际旅游岛。在新形势下,极具民族地域特色的黎锦更应将其民族文化发挥到极致,充分发掘其极具价值和审美的民族元素、形象符号,不断创新,创造性的应用,才能在现代化社会中生生不息,永葆活力。
As the traditional process , cultural spirit , the Li Jin Lines stands for Hainan female creation and aesthetic .While building the international travel island ,we should make good use of the ethnic element value of Li Jin Lines .

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为了深入挖掘黔东南地区的找矿潜力，对黔东南地区区域重磁异常进行解释，研究东部地区的天锦黎金矿密集区及西部地区的金化探异常分布特征，发现金矿床（点）和金化探（元素、块体）异常的产出，同重、磁异常平面分布和推断的岩浆岩侵人体（基性岩类、酸性岩、构造蚀变岩）及区域性深大断裂构造（东西向、南北向）的分布，存在着空间、时间和成因上的联系，由此拓开了黔东南天锦黎金矿密集区及外围金矿地质找矿的新思路，不要只限于在相关地质层位里和北东向构造及伴生断裂（即“背斜加一刀”）交会处及其附近，来寻找变质碎屑岩中的脉型金矿。
In order to tap ore-prospecting potential in southeastern region of Guizhou,the authors interpreted regional gravity magnetic anomalies,studied distribution of gold geochemical anomalies in the Tianjinli gold ore concentration area of eastern region and western region and,as a result,discovered the regularity that the gold ore deposits (ore spots)and gold geochemical (element,block)anoma-lies are related spatially,temporally and genetically to the planar distribution of gravity and magnetic anomalies as well as the distribu-tion of the inferred magmatic intrusions (basic,acid and tectonic alteration rocks)and the regional EW-trending and NS-trending deep and great faults.The results open up the new train of thought in search for gold deposits in the Tianjinli gold ore concentration area of eastern region as well as its periphery.The prospecting for veined gold deposits in metamorphic detrital rocks should not be confined only to the relevant horizons and the intersections between the N

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西北师范大学校训“知术欲圆，行旨须直”是20世纪40年代黎锦熙先生为毕业生题词的两句，来源于先秦诸子《文子·徵明》中“智欲圆，行欲方”。《文子》中解释说：“智圆者，终始无端，方（旁）流四远，[如]渊泉而不竭也；行方者，直立而不挠，素白而不污，穷不易操，达不肆志也。”“智圆者，无不知也；行方者，有不为也。”《淮南子·主术》中也有上面所引文字，个别字句稍异。由此，我们可以对西北师大校训有一个明确的、确切的解说。黎先生题词在这两句之后还有“大漠孤烟，长河落日”，是引了王维的两句诗而分别省去末尾的“直”、“圆”二字，让人们在思考中加深对“知术欲圆，行旨须直”二句中“圆”、“直”两字含义的记忆与理解。黎先生之所以引录了王维这两句诗，也应反映了他在当时西北师院建校初期对周围环境的感受。
The motto of the Northwest Normal University “Be round in knowledge pursuing , be square in behavior” “are the two sentences from the inscriptions of Mr LI Jin‐xi for the university graduates in the 1940s . The origin of the two sentences can be traced back to “Be round in disposition , and be square in behavior” “from Wenzi · Zhengming in Pre‐Qin times . As is stated in Wenzi ,“Like a spring never drying up , those whopursue to know all around are not confined to any starting and finishing points , and can reach far ;those whobehave squarely are upright and indomitable , never changing their principles of behavior in poverty and never giving up the ambition in great success .” “Those whoare round in disposition know everything ;those who are square in behavior do not do everything” . These quotations also appear in Huainanzi · Zhushu with some minor changes in wording . We hereby provide a definite and exact interpretation of the motto of the Northwest Normal U

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