顾城作为朦胧诗的代表人物，文革期间开始诗歌创作，常常以孩子的口吻和读者交流，所以被称为“童话诗人”。在顾城的诗歌创作中，表现出深刻的诗歌理想，其诗歌文本的思想源头、内在含义、精神走向以及他的诗歌理想、生命追求无不映照出顾城一生扮演的角色——一个童话孤岛中的抒情诗人。可以说，究其一生顾城都在诗歌寻梦的短暂旅途中低语，孤独而决绝。

Gu Cheng , as a representative of the misty poetry , began poetry creation during the Cultural Revolution . He was called "fairy tale poet"because his communicating with readers often was with children ''s tone.Gu Cheng''s poems revealed profound poetic ideal .His ideological roots of poems , connotation , spiritual trend , his poetic ideal and pursuit of life reflected without exception his life -long role---a lyric poet in a fairy island .We can say that Gu Cheng was whispering in the short journey of poetry dream all his life , lonely and resolutely.

在顾城早期诗歌或一部分成名作中，顾城对事物或对自我的感受都能化繁为简，很好地做到把握其本质特征，并赋予其鲜明的形式，极富意蕴和意趣。其早期的诗歌和一部分代表作的诗意就建筑在这种“形式感”上，因此他的代表诗歌通常都不长，本文主要浅析顾城早期诗歌的“形式感”，主要包括如下三个方面：一、自然景物的“形式感”解释；二、抽象概念的“形式感”分析；三、自我感受上的“形式感”表达。这三种类型的“形式感”构成了他一部分诗歌创作的诗意建构机制。

In his early poems or part of masterpieces, Gu Cheng can simply his feeling for things or himself , grasp the essential character more correctly and show out outstanding meanings by certain distinct form. This kind of sense of form is the basic for some his early poems or part of masterpieces . So his poems are usually not long. This paper mainly analyzes sense of form in his early poems, mainly including three aspects as follows:first, the nature''s the interpretation of the sense of form;second, abstract concept''s the analysis of the sense of form;third , expression of the sense of form on own feeling. The three types of sense of form constitute a part of his poetic construction mechanism.

论文以海登·怀特的“后现代历史叙事学”理论为基础，分析了中国20世纪80年代诗歌中顾城、第三代诗、海子的诗歌写作。他们分别代表了80年代诗歌写作的不同阶段，由此，可以看出诗歌中的“提喻写作”综合型写作的话语特征，这对于当代诗歌写作有着积极的建构意义与积极影响。

This paper analyzes the poetic writings of Gu Cheng, third-generation poets and Hai Zi based on Hayden White’ s theory of postmodern history narratology. As the abovemnetioned poets are representatives of di-verse phases of poetic writing in China in the 1980 s , the discourse traits of“synecdoche writing” in comprehensive creation can be discerned in their poetic creation, which is of positive constructive significance for and influence on contemporary poetic writing.