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双语推荐：好太王碑

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好太王碑建立1600年了，其重新发现的时间却存在着几种说法，如同治末年、光绪初年、光绪六年等。依据王志修当年到过好太王碑前进行调查，并且最早刊印《高句丽永乐太王古碑歌考》中的记载，认定好太王碑发现于光绪三年---1877年。同时指出，是由怀仁县书启关月山发现的。好太王碑发现后的光绪四五年间，火焚除苔，然后才出现完整拓本。叶昌炽《奉天一则》所记“光绪六年，边民斩山刊木始得之”，说的正是好太王碑拓本出现的时间。
The Gwanggaeto Stele has established for 1600 years, but there are several statements about its redis-covery time, that is the final years of Tongzhi, the early years of Guangxu, Guangxu six years and so on. Based on the records that Wang Zhixiu has ever surveyed the Gwanggaeto Stele and earliest print-ed Gaogouli Gwanggaeto Stele Song, firmly believed the Gwanggaeto Stele was found in Guangxu three years-1,877 years. Also pointed out that the Stele was discovered by Huairen Guan Yueshan. During Guangxu four and five years the Gwanggaeto Stele appeared complete book of rubbings. Ye Changchi''s Fengtian Yize recorded the discovery time of book of rubbings of the Gwanggaeto Stele.

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韩愈的《南海神广利王庙碑》记载了唐代广州刺史孔戣治理岭南的经验,以及唐代祭海的习俗.碑文还最早出现了"海事"一词.同时,碑文的结构安排巧妙,想象丰富奇特,语言精粹隽美.因此,韩愈碑不仅具有重要的历史价值,还具有较高的文学价值.
The inscription on Nanhai God''s monument , composed by Han Yu , has documented the custom of worshipping the sea and administered experiences of Lingnan District from Kong Kui , the provincial governor in Tang Dynasty .The description ,“maritime affairs”, is first mentioned in this monument''s writing .With elaborately arranged structure , fabulous imagination and beautiful language , this inscription from Han Yu is undoubtedly with not only historical importance , but also high literary value .

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中国书法在发展历史过程中经历了从帖学到碑学,多少年来以"二王"为代表的帖学一直笼罩着中国书坛,直至清代阮元、包世臣、康有为等提倡碑学,为书法的发展开辟了新的道路。但是,书法发展的脚步并没有因此而停滞不前。随后,沈曾植在书法创作中提倡了碑帖结合,这为当代书法创作指明了方向。
China’s calligraphy has gone from Tie to Bei in the its development .For many years the calligraphy represonted by Wang Xi-zhi and Wang Xian-zhi prevailed in the China’s calligraphy circle until Ruan Yuan ,Bao Shi-chen ,Kang You-wei and oth-ers .advocated Epigraphy in Qing Dynasty and opened up a new way for the development of calligraphy .However ,calligraphy devel-opment did not remain stagnant because Shen Zeng-zhi put forward the combination of rubbings then ,which pointed out the direc-tion of contemporary calligraphy creation .

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宋拓本《裴岑纪功碑》之说自在清人陈元禄《羽逸事》抄本首度凭空出现以来，被张祖廉先录入《定庵先生年谱外纪》，然后再扩充为龚自珍跋宋拓本《裴岑纪功碑》，收入《定庵遗著》，之后在邓之诚的《骨董琐记》、王佩诤先生校编的《龚自珍全集》等再被认可收入，广为讹传。本文通过多角度分析，考证此说源起及其失实之处。
Song Dynasty rubbing of"Pei Cen Ji Gong Bei"since Chen Yuan-lu’s"Yu Ling anecdotes"manuscripts appeared for the first time, Zhang Zu-lian put into it, and then extended to Gong Zi-zhen’s postscript of"Pei Cen Ji Gong Bei"rubbings of Song, was collected into"Ding An Yi Zhu", Deng Zhi-cheng’s"Gu Dong Suo Ji", Mr Wang Pei-zheng’s"the complete works of Gong Zi-zheng school"to be recognized as collection. In this paper, from multi ways to analyze and research the origin and inaccuracies.

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中国古代金石学在宋代达到一个高峰,而有关云南的却仅有《隶释》收录的一通汉碑。至清代,中国的金石学再次出现高峰,著名金石学者王昶及阮元父子相继来滇,亲自寻访石刻并著录,通过他们的著作,云南石刻才逐渐为世人所知悉。
Chinese epigraphy reached a peak in Song Dynasty;however, Lishi was the only monograph which collected a Han stele about Yunnan. In Qing Dynasty, Chinese epigraphy blossomed again. Famous epigraphy scholars, WANG Chang, RUAN Yuan and RUAN Fu, had been to Yunnan to look for and do research about Yunnan''s stone inscriptions. Through their books, Yunnan''s stone inscriptions had become increasingly well-known.

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千相塔(千像塔)为1910年王道士修建的一座集存残破佛像的泥塔,1951年拆除。塔前立有《敦煌千佛洞千相塔记》碑,碑文为清末著名地方官廷栋(1866—1918)所撰,石碑现藏敦煌研究院。碑文未见完整刊布。本文对该碑文进行移录并对千相塔的来龙去脉进行考察,对敦煌学史研究有一定裨益。
The Thousand-Statue Pagoda was a clay pagoda built by the Taoist priest Wang Yuanlu in 1900 to store broken Buddhist statues but was demolished in 1951. A stele erected in front of the pagoda bears an inscription written by famous local official Ting Dong (1866-1918) of the Qing dynasty. Today this stele is kept in the Dunhuang Academy, though the inscription has not been completely published. This paper transcribes the inscription and studies the history of the pagoda, hoping to provide reference for the research of the history of Dunhuang Studies.

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赵之谦书法初宗二王,后取法颜真卿,得其坚实严谨与浑穆从容。他师从邓石如,博采秦汉瓦当、铜币、权量、魏晋六朝碑铭,融合真、行、草、隶、篆之笔法,创造出一种浑厚朴茂的手札行书艺术风格,并留下了丰硕的艺术成果。赵之谦在书法艺术上成功地开创了清末以后碑学书法的先河,这也为当前书法家在碑帖融合创新中提供了参考。
Zhao Zhiqian learned calligraphy earlier from two Wangs, and learned rigorousness, stateliness and calmness from Yan Zhenqin. He later switched to Deng Shiru and absorbed the artistry from Wadang, coins, weight of Qin Han, inscription, calligraphy in Wei Jin dynasties, integrated the artistry from Regular Script, Running Script, Cursive Script, Official Script, Seal Character and created a vigorous and luxuriant personal letter style, leaving behind abundant artistic achievement. Zhao Zhiqian was the creator of late-Qing-Dynasty stele calligraphy and shed light on the integration and innovation of modern calligraphy.

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鲁北莱州湾南岸滩涂广阔,地下卤水资源丰富,气候条件适宜,海盐生产条件优越。考古发现证明,先秦时期这里海盐生产规模很大。文献记载夏朝青州有了盐贡赋;商朝时期寿光双王城等众多制盐遗址群的发现;西汉北海盐官的设置;元朝时期盐业衙门遗存雕龙碑的发现;明清时期盐场官台场盐业生产规模的扩大;以及建国以后羊口盐场、富国盐场的建设,都反映了自古及今鲁北莱州湾盐业的发展。
Wide beach, abundant underground brine and favorable climate are excellent conditions for sea salt production on the south coast of Laizhou Bay in northern Shandong. Archaeological find proves that there was a large scale of sea salt production in the pre-Qin period. And more evidence is as follows: the document in Xia Dynasty records the existence of salt tax in Qingzhou;the development of salt production in Shang Dynasty left a large number of relics in Shuangwangcheng, Shouguang;in Western Han Dynasty, salt officers were established in Beihai; the carved dragon stele of salt Yamen (governmental office in feudal China) in Yuan Dynasty was unearthed;Guantai Saltern was founded and developed during Ming and Qing dynasties, and then Yangkou Saltworks and Fuguo Saltworks after foundation of the People’s Republic of China. All above evidence shows the development of salt industry on the south coast of Laizhou Bay since ancient times.

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赵孟頫书写的《头陀寺碑》,行书,书于元大德四年。今见其拓本有传,墨浓如漆,为典型的乌金拓。从碑文后董其昌、张凤翼、陈继儒、王穉登、李日华、杨文骢等人的题跋来看,此拓本约为明末清初所制。由于刻工及拓印技术高,该拓本字口清晰,基本保留了原作的神采,可与大德五年明远所书《前赤壁赋》等行书墨迹作品相映证,可视为赵孟頫风格成熟期的代表作。此作用笔圆润遒劲、宛转流美,分行布白疏朗从容、如行云流水、气息古雅,整体作品神采飘逸,尽得魏晋二王遗韵。
Zhao Mengfu’sStone Tablets in Toutuo Temple was written in the fourth year of Dade period.Today there are many kinds of books of rubbings whose color is like black paint called typical Wujin rubbings.The rubbings were about made in late Ming and early Qing dynasties from the prefaces and postscripts written by Deng Qingchang,Zhang Fengyi,Chen Jiru,Li Rihua,Yang Wencong etc.These rub-bings are very distinct with high technology and origin works’soul.They could be compared with the former Red Cliff Ode written by Mingyuan in the fifth year of Mingyuan Period so they could be regarded as the master works in Zhao Mengfu’s maturation phase.The char-acters about his calligraphy of his maturation phase are powerful,beautiful,overall arrangement like floating clouds and flowing water, sometime with ancient souls from calligraphy master in Wei and Jin dynasties.

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《论四川阆中南齐〈隗先生铭〉》、《河北正定出土唐成德节度使王士真墓志初探》、《唐代洛州刺史贾敦颐墓的发掘》和《北京出土唐代崔载墓志考释》等四篇论文，不仅公布图版，而且对志主的生平事迹、先世后代等进行了梳理和考察，给文史研究提供了新材料。但其释文中存在大量缺漏、讹误、脱文等现象，断句亦偶有疏误，今将拓本与原释文进行细致比对校勘，恢复碑拓的原貌，以便能够更好地利用这批材料。
The Journal ofNational Museum ofChina of 2013 published Inscription about Mr.Wei from Langzhong of Jiang Xiaochun and Tang Dynasty Epitaph ofWang Shizhen Unearthed in Zheng ding of Feng Jinzhong and Zhao Shengquan, and published The Excavation ofTang Dynasty Tomb ofJia Dunyi,Prefect ofLuo zhou of Luoyang Institute of Cultural Relics and Archaeology and Tang Dynasty Epitaph ofCui Zai Unearthed in Beijing of Lu Xiaofan.The four inscriptions not only were released chart with Interpretations,but also studied the host’s life story ,ancestors and descendants,which provided a good new material for historical research.But some errors existed,including missing,corruption,and many other errors.Today we will be carefully collate the original explanation and Inscriptions,to better restore the original ap-pearance of Beituo,so better use of these materials can be obtained.

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